“Miller is a physics Ph.D., a science historian, and a philosopher—and an art aficionado to boot. And in his new book, Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art, he makes the case for the existence of a ‘third culture’ […]” writes Indre Viskontas in Mother Jones (Magazine)
Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art 29th October, 2014 4.15pm The John A. Wheeler Lecture Hall (RLM 4.102) Robert Lee Moore Hall Building 2515 Speedway (Corner 26th and Speedway) The University of Texas at Austin
How I came to write about the exciting world where art meets science. Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art 13 November 2014 7:30pm Harvard Book Store 1256 Massachusetts Ave Cambridge, MA 02138 Read more here: http://www.harvard.com/event/arthur_i._miller/
Wednesday 26th November, 2014 6.00pm ZKM Karlsruhe Vortragssaal Lorenzstr. 19 76135 Karlsruhe, Germany www.zkm.de
Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art 3rd November, 2014 7.00pm The National Academies Keck Center 500 5th Street, NW Organized by Cultural Programs of the National Academy of Sciences
Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art 15th October, 2014 6.30pm – 8.30pm This lecture is part of the Patrons events programme and is by invitation only. The Smith Centre Imperial College Road London, SW7 2DD
Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art Thursday 25th September, 2014. Arrive at 6.30pm for a 7.00pm start 9.30pm Close Advance Tickets: £7/£5 concessions £10.00 on the door Refreshments available October Gallery Theatre 24 Old Gloucester Street, Bloomsbury London WC1N 3AL Tickets available from: EventBrite.co.uk
Arthur I. Miller: when art, science, and technology collide What’s the story behind the development of Colliding Worlds? AIM: In the first half of the 20th century, there was, as far as I can discern, there were few collaborations between major artists and scientists. One was Picasso responding to contemporary developments in maths, science, and … Read more